Winter Heat!

Bold colors, fevered dancing, tropical fauna—could this really be San Francisco?

Nelson Mui

When the invitation for the Valentine Ball at SFMOMA arrived, announcing a Brazilian theme, a feeling of dread crept in. Hadn't we just been through a Brazilian onslaught (the mannequins, the waxes, the endless rounds of caipirinhas at Paris nightclub Favela Chic) circa 1999? Don't we see Gisele's face often enough?

To everyone's surprise, it was the jolt San Francisco needed to combat economic and social doldrums, if only for a night. Black-tie events around town have a reputation for being stodgy affairs, with guests looking like their bow ties have been tied on too tight. But the combination of lush decor, vibrant, colorful fashions (a sea of red and pink gowns), and Brazilian dancers shaking their derrieres faster than a hummingbird's flutter put a smile on everyone's face. Or was it the strong cocktails?

Veteran partygoer Charlotte Shultz, who founded the ball, said it was the best one she's been to—and that includes the extravaganzas she produced herself.

After Shultz made a speech, in which she commented on the refreshing mix of generations in attendance, and was presented with a diamond-studded watch by Chanel's Stephanie von Stein, Charlotte and hubby George Shultz were the first to hit the dance floor. Others joined in immediately, including Charles and Helen Schwab and Linda and Ed Plant (of the mammoth leasing company).

"It was a who's who of power brokers on the dance floor," said one socialite.

The men of the moment were former Banana Republican Paul Price and his brother Skip, who produced the affair to much acclaim. SFMOMA's lobby was barely recognizable after the Prices covered it in oversized hibiscus and other tropical fauna. S.F. Ballet auxiliary president Sandy Mandel, admitting disappointment with a newspaper account of January's ballet opening as "staid," praised Paul for his work. "Everyone's been buzzing about the decor," Mandel offered. Indeed, PR dynamo and social gadfly Marsha Monro Wright told the Socialist, "it's like his coming-out party—everyone keeps asking me who he is."

While the Valentine Ball was a success for its mixing of heavy hitters and up-and-comers (last year the younger set dashed for the door after dinner), ballet opening night kept the generations separate, with two dinners (with different price tags, of course).

It's a testament to the caste system in San Francisco that a few weren't even aware there were two dinners—one thrown by Encore, the ballet's junior committee, at the War Memorial Opera House; and the official feast (read: the Daddy Warbucks crowd), in City Hall. At the performance, one Encore guest seemed confused, perhaps a touch horrified, when she heard about the dinner across the street, where older VIPs had congregated. Had she missed out on the action?

She needn't have worried: The Encore dinner by many accounts was more fun. At the official dinner, a fourth-generation San Franciscan (but who's counting, right?), upon surveying the cocktail crowd and

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