On the waterfront

At Waterbar and Epic Roasthouse, Pat Kuleto competes for the attention of big-spending diners.

Josh Sens

In Xanadu did Pat Kuleto two pleasure domes decree. Correction: He built them on the Embarcadero, a twin billing of extravagant surf-and-turf restaurants that has cemented his reputation as the San Francisco food world’s Kubla Khan.

How much pleasure Epic Roasthouse and Waterbar actually deliver is another question. The answer partly hinges on how much stock you place in tricked-out interiors, views that take your breath away, and prices and portions that do the same.

The 275-seat Waterbar flaunts its seafood theme with two cylindrical, Sea World–worthy fish tanks that frame the dining room from floor to ceiling. The animals inside them—a fluttering eel, some bug-eyed rockfish—are for display only. But not so the lobsters, which occupy a series of smaller tanks set in a brick wall alongside the open kitchen. You can have a lobster grilled, chilled, wood oven–roasted, or draped across a giant shellfish platter with clams, oysters, plump crab claws, and more. The assortment is decadent and delicious, although for $90, you half expect the oysters to come with pearls.

Waterbar, however, is a restaurant not of small gifts but of grand gestures. The menu casts a wide net, sweeping the sea for a mixed catch of sashimi and seviche, as well as a diversity of whole fish, which rank as the sharpest entrées on the list. Sole. Turbot. Black bass. John Dory. Preparation—whether fried, grilled, or wood oven–roasted—varies with the season and the whim of the kitchen. Sometimes there’s a choice, sometimes not. On a recent evening, sole was caked in salt to seal its sweetness, oven-roasted, then presented intact for dramatic impact before the server whisked it off to be filleted. But never mind the showmanship—the dish’s greatest strength lies in its simple flavors.

Compare that with the overwrought but underwhelming fish and chips: The restaurant serves a whole crisp rock cod arched in a trophy pose, like the one that got away, then swam into the Fry-O-Lator. It’s a playful take, but the batter is bland and the fish is, well, fishy, even when doused in a tangy rémoulade. The ambitious effort winds up falling flat.

The same could be said of the restaurant itself. Waterbar delivers some sprightly seafood. Service is enthusiastic and attentive. And desserts, like chocolate silk (chocolate mousse layered on pistachio crust), are sure to satisfy a bionic sweet tooth. But despite—or perhaps because of—its steep construction cost (a reported $20 million for it and Epic), the restaurant has the feel of a disjointed theme park. Blame the high prices, but also cast a wary eye on the design. At night, the fish tanks give off an exotic glimmer. But by day, the murky water lends the gloomy bearing of a shipwreck exhibit. As for the drab-colored glass globes above the bar, they look dated anytime.

Waterbar’s best visual feature is its view of the Bay Bridge, but the cheesy interior distracts you and detracts from the mood. Fitting, perhaps, that at a restaurant so concerned with superficies, true beauty lies not inside but out.

The aptly named
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