Snap Judgments

Jonathan Kiefer, Dan Strachota, Cheerly Avni, Jaimal Yogis, Scott Hocker

Book
Anne Lamott: Grace (Eventually)
(RiverHead books)
This being the third book from Anne Lamott with “thoughts on faith” in the subtitle, it’s fair to ask whether she’s just doing schtick now. Maybe, but even so: alert, twitchy, humane, self-effacing, progressive Christian, piecemeal recovery memoirs don’t get much better. Jaunting through familiar but not always comfortable territory, Lamott negotiates relations with her late parents, her son, her politicians, her god, and her all-powerful inner critic. What she’s after here is what we all deserve: a bit more than “the spiritual authority of someone chirping ‘No worries!’ at Starbucks.” What she has is soul and a needed light touch. So what if it’s more of the same? Reading any Lamott essay feels like taking a constitutional or catching up with a cherished friend. Even when she wears you out, you adore her. B+
JONATHAN KIEFER

CD
Paula Frazer and Tarnation: Now It's Time
(Bridman)
Paula Frazer is the grand dame of the Bay Area alt-country scene. In fact, her musical roots go back to the ’80s, when she played guitar with alterna-metalers Faith No More and girl punks Frightwig. But she’s best known for Tarnation’s two triumphant discs, 1995’s Gentle Creatures and 1997’s Mirador, which combined ethereal British pop with the country traditions of her Georgia beginnings. After releasing Mirador, Frazer retired Tarnation and took to crafting solo works enamored of the gritty, dusty sound tracks of composer Ennio Morricone (For a Few Dollars More and more). With this CD, the one-time Bernal Heights resident resurrects Tarnation’s name and its lush, epic sound, although without any of her original band members. Once called the “Patsy Cline of the apocalypse,” Frazer seems to have come to terms with her inner demons on tracks like “All the Time,” leavening her dark meditations with the occasional optimistic line and upbeat falsetto melody. Also, longtime collaborator Patrick Main now bathes her gorgeous voice in warm keyboard washes and jaunty piano figures, making sure that her lyrical profundity doesn’t overwhelm the listener. The result is like a meatier K.D. Lang or Chris Isaak: melancholic and moody, certainly, but oh so pretty. A-
DAN STRACHOTA

Book
Catherine Crier: Final Analysis
(Regan)
Co-written (hastily, one suspects) with Cole Thompson, “the untold story of the Susan Polk murder case” ought to offer the perfect locally tuned guilty pleasure, dishing all the dirt on the Bay Area’s most famous desperate housewife. What led Susan Polk to stab her husband, Felix, 27 times—in the pool house, no less? Was it self-defense or cold-blooded murder? Why did she choose to represent herself in court? Which son was telling the truth on the witness stand? If these questions riveted you when the Polk saga began drawing headlines, then by all means, dive in. But prepare to drown in a sea of details. Crier and Thompson provide an exhaustive account of every aspect of the case, complete with photos, court records, and information from

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A Q&A with Dale DeGroff

11/18/08—King Cocktail talks classic drinks and his new book, The Essential Cocktail.

From their lips to the White House's ears

10/20/08—Copy chief & reviews editor Mia Lipman volunteers at a star-studded rally for words.

Burning Man Decompression 2008

10/14/08—Rebecca Pariser and her camera crash the annual Burning Man after party.

Hardly Strictly Bluegrass 2008

Editorial intern and bluegrass musician Brian Heffernan reviews the eighth annual festival's highlights.

ARTS

Treasure Island Music Festival 2008

The eyes at San Francisco magazine capture two days of good, clean, carnival-themed fun at the second annual festival.

START/ EDIT NOTES

Nellie's gotta go

Irascible, iconoclastic, infectious—what made Don Nelson this way?

PUB NOTES

Publisher's note

When you’re traveling, sometimes knowing what’s ahead is even more exciting than anticipating the unknown.

Slaughterhouse redux

In a follow up to San Francisco's August feature on the future of slaughterhouses, Incanto chef Chris Cosentino offers a view of the past with a look at his collection of vintage abattoir photos.

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