Helgi's Moment

Opening night at the ballet was a tribute to director Helgi Tomasson's 20 years with the corps, but the drama offstage was all about Paris Hilton.

As any hostess worth her Rolodex knows, there is one rule to remember when throwing a party: avoid inviting someone who will hijack the spotlight from the guest of honor.

That principle fell by the wayside when the ballet, anxious to generate buzz, flew in Paris Hilton—celebutante, reality TV star, party girl, and most frequently fired employee—for its opening night gala. By all accounts, the spotlight should have been fixed solely on Helgi Tomasson, the Balanchine-trained director who arrived in San Francisco 20 years ago and transformed the once-provincial ballet company into a nationally ranked touring one. At the performance, a short film interviewing prominent patrons such as Evelyn Cisneros and Jim Herbert and ballet figures around the world played before Tomasson was introduced to great applause onstage.

Even so, it was undeniable that Tomasson, along with Will & Grace actor Sean Hayes and Hollywood producer Garry Marshall, had to share the social stage with Ms. Hilton. All eyes followed the spectacle of Hilton's entourage (handlers were outfitted with discreet communications devices), complete with an Entertainment Tonight television crew trailing her throughout the night. She was seated at the performance in the War Memorial's prime box. This is, after all, a woman who sucks so much air out of a room that when her Chihuahua, Tinkerbell, went missing for days or, more recently, when her mobile phone was hacked into (leaving a list of her celebrity friends' phone numbers—including Gavin Newsom's—in the hands of the hackers), newspapers around the globe reported on it. Said one society grande dame, "People like her lower everything they touch." Word also had it that the powers that be in the ballet auxiliary, which put on the gala, were nervous about the hotel heiress's attendance but couldn't exactly disinvite her once the invitation had been extended through Rosalina Lydster, a jewelry designer friend of ballet auxiliary PR chair Claudia Castillo Ross.

But buzz Hilton's attendance certainly generated for the ballet—and no complaints here. The Socialist, like many others, no doubt, found the scene entertaining. Over the years, I've witnessed her at countless parties in New York, and only days before the ballet, I'd experienced another Paris moment at lensman David LaChapelle's party at the Sundance Film Festival, where she sported short hair and a downtown look, comfortable in her milieu. Clearly, in San Francisco, at the ballet, she was not. The heiress is always in such a whirlwind that when she sat down at the dinner, she asked the guest next to her, "Where are we again?"

She got her answers straight by the time the Socialist had a chat with her and parents Kathy and Rick Hilton. With her guard up and her demure persona in place for a formal event, Paris stuck to safe topics like how she comes up to the city to shop. What happened to the sass? Later, Paris had to leave the ballet after the first act to make an appearance in L.A.

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