Dead Meat.jpg

Dead Meat, Chapter 3: Salt and battery

With a famous chef still missing, food writer David Tuckwall has a violent encounter with the angry vegan behind the crime.

By Robert Beringela, Illustration by Nathan Fox

Last month, in Chapter 2: Weary food writer David Tuckwall gets drawn into the hunt for a missing celebrity chef.

Bound, gagged, and covered in goose feathers, Jock Rapini lay on the cold floor of his cage. Butcher’s twine ate into his wrists and ankles. Gas pains stretched his belly like a carnival balloon.

A rooster crowed outside, the same damnable creature that had awakened him at daybreak, delivering the chef from fitful sleep into foggy recognition of his waking nightmare.

“Hmmmf,” he groaned. He strained against his tethers, painful proof that his plight was real.

For all the agony of his physical condition, the rope burns and the bloating caused him less distress than the anxious thoughts that racked his addled brain. It had all happened so fast, Rapini could hardly wrap his head around it. Kidnapped, incarcerated, force-fed by gavage. The whirlwind of events had played out at the warp speed of reality TV, transforming him from a hotshot chef to a humiliated captive in the time it took to cut back from a commercial break.

In answer to his fusillade of questions, Rapini could only muster wild conjecture. What would happen next? His nameless captor—a sallow, frightful figure with an orange Don King hairdo—was mum on his intentions, though the torture he’d selected so far suggested to Rapini that the prospects weren’t good.

On that first dark and fateful night, subdued by a cattle prod and stuffed into a car outside his rest­aurant, the chef had suspected Bo and Marvin Mercer as the architects of his abduction, but he’d since given up that theory. The Central Valley ranchers were many things—savvy marketers, shady businessmen—but they weren’t rural sadists. In the near distance, beyond the walls of the barn, a car engine coughed. The grinding of wheels on gravel was followed by the leaden fall of footsteps.

The barn door creaked open, and in stepped Alfie Falfa, brandishing a funnel and a plastic tube.

“Breakfast time, little birdie!” he called out. “Rise and shine!”

“He wants what?” asked Rupert Hunt.

The beefy editor stood beside David Tuckwall’s desk, his suspenders strained over his distended belly, his hands resting on his double-wide hips.

“He wants us to stop eating meat,” Tuckwall said.

“Ha!” Hunt blurted out. His cheeks purpled with amusement.

“And fish,” Tuckwall added. “And eggs. And cheese.”

A Q&A with Dale DeGroff

11/18/08—King Cocktail talks classic drinks and his new book, The Essential Cocktail.

From their lips to the White House's ears

10/20/08—Copy chief & reviews editor Mia Lipman volunteers at a star-studded rally for words.

Burning Man Decompression 2008

10/14/08—Rebecca Pariser and her camera crash the annual Burning Man after party.

Hardly Strictly Bluegrass 2008

Editorial intern and bluegrass musician Brian Heffernan reviews the eighth annual festival's highlights.

ARTS

Treasure Island Music Festival 2008

The eyes at San Francisco magazine capture two days of good, clean, carnival-themed fun at the second annual festival.

START/ EDIT NOTES

Nellie's gotta go

Irascible, iconoclastic, infectious—what made Don Nelson this way?

PUB NOTES

Publisher's note

When you’re traveling, sometimes knowing what’s ahead is even more exciting than anticipating the unknown.

Slaughterhouse redux

In a follow up to San Francisco's August feature on the future of slaughterhouses, Incanto chef Chris Cosentino offers a view of the past with a look at his collection of vintage abattoir photos.

RESTAURANT SEARCH

SHOPPING GUIDE