May 2008
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Diablo Cody may be the ex-stripper-turned-writer It Girl of the moment, but Simone Corday is our local version: a former dancer at the O’Farrell Theatre (with a master’s in English) and the sometime girlfriend of Artie Mitchell, the club’s flamboyant co-owner. Her self-published memoir is unpolished at times, although the prosaic rough patches, coupled with Corday’s deadpan insouciance while relating sensational details of the sex industry, add to its authenticity. In addition to its main tragic element—not Mitchell’s infamous 1991 murder at the hands of his brother, Jim, but Corday’s unwavering love for Mitchell, despite his being a philandering, substance-abusing, all-around asshole—the book offers a wealth of lurid and surreal anecdotes. Shame over wearing a gorilla mask during a threesome? Apprehension about having sex with a dwarf? Check and check; Corday covers it all. Surprisingly, the cameo appearances by Hunter S. Thompson (at one point the club’s “night manager”) prove disappointingly tame. In what other setting could Thompson turn out to be the most levelheaded character? B- (Mill City Press)
San Francisco Chronicle Metro Editor Ken Conner responds to 'The Scandal, the Scapegoats, and the Suicide' in the March issue:
4/29/08—Supe Ammiano's crew is Dining Out for Life and tipping big. But one pal balks at the four percent surcharge. Scott Hocker asks: Irony, party of six?
Our sexpert chats up a Marina divorcee determined to let her hair down. Way down.
All the social world's a stage as a false alarm at the symphony, a mind-numbing opera, and a dustup over taste kick off the season.
5/16/08—Small Business Week is almost over, but the sidewalk sale is yet to come.
At the new Asian Art Museum, an unrivaled collection gets a splendid display, at last.
A time traveler from the incorrigible '60s, the brilliant criminal defense lawyer Tony Serra has been conducting his antiauthority career as if nothing has changed in the last 40 years. With Serra stuck in prison, BURR SNIDER assesses the legal legend's stubborn (but principled) resistance to convention and wonders: is Serra an anachronism or is his mistrust of government power more relevant than ever?